Concert experiences have always made a strong impression on me. It’s probably why I’m so drawn to multidisciplinary works and why I seek to incorporate multidisciplinary elements in my own music when I can. A performance that is forever engraved in my memory was the Toronto première of Music for Lamps in 2015. This work by Adam Basanta, Julian Stein, and Max Stein is an installation and performance for twelve lamps, each set up with its own speaker and controlled independently.
Over the course of the work, the lamps would flicker, light up and turn off, matching the intensity of the sounds emanating from them. The overall effect evoked in me what I interpret to be a sort of primal response. I was front row to delicate fireflies dancing and lightnings exploding at my feet. How magical and frightening! It made me aware of one of the possibilities that using visuals in sound art presents: the power to intensify a message by tapping directly into something that is innate to us.