Sonic Grace

Sarah Belle Reid
Quatre Couches by Pamela Z

14.04.21

Trumpeter, composer Sarah Belle Reid

I first stumbled across a video of Pamela Z's Quatre Couches performance on a snowy day in December, just after my first semester of grad school. I was completely captivated by the way her music weaves together classical and experimental voice techniques with interactive electronics and processing. I am grateful for that day because it sent me down one of those listening/discovery spirals that totally flips your life upside down (in a good way).

I became deeply immersed and passionate about electroacoustic music, and began to incorporate my own instrument designs and electronic experiments into my compositions, leading to what would grow into an exciting career as a performer-composer. I guess you never know when inspiration will strike, and what wild, wonderful, sonic adventures it will take you on—best to always travel with ears wide open.

- Sarah Belle Reid

Quatre Couches

Sarah Belle Reid Bio

Sarah Belle Reid is a performer-composer who plays trumpet, modular synthesizer, and an ever-growing collection of handcrafted electronic instruments. Her unique musical voice explores the intersections between contemporary classical music, experimental and interactive electronics, visual arts, noise music, and improvisation. Often praised for her ability to transport audience members through vivid sonic adventures, Reid's sonic palette has been described as ranging from "graceful" and "danceable" all the way to "silk-falling-through-space," and "pit-full-of-centipedes" (San Francisco Classical Voice). Her debut album for trumpet and interactive electronics, "Underneath and Sonder," was released on pfMENTUM in October, 2019.

When watching Sarah Belle Reid perform live, one quickly notices that her trumpet is also unusual—the blinking lights and colorful wires attached to her horn are part of an electronic sensor-based interface she co-designed, called MIGSI. Reid was inspired to build MIGSI as a way of integrating her passion for technology, trumpet, and improvisation. She has been gaining international recognition for the work since it's initial development in 2015: “Reid has greatly extended the possibilities of the humble trumpet into new territory by the application of innovative sensing technology and sound processing.” (Sequenza 21). She frequently performs, leads workshops, and lectures at notable festivals, institutions, and conferences around the world, such as Moogfest, Stanford University, and the International Conference of New Interfaces for Musical Expression (NIME).